Certain Dark Things takes place in an alternate version of Mexico City in which vampires are known to exist. There are ten different types of vampires listed in the glossary, each with their own strengths and weaknesses (somewhat reminiscent of the role-playing game Vampire: The Masquerade). Only three different types of vampires appear on screen which is for the best as trying to keep track of ten different species would have been confusing. The fact that there’s a wider world of vampires out there does leave plenty of room for a sequel or even a series. Continue reading →

“The poets do not sing of this, either, how death begets the urge toward life. I, who knew how to take pain, took Hyacinthe’s. Pain and delight, I took from him, and gave him back both, until we understood, the both of us, how they are intertwined, how one does not come without the other.”

Phèdre nó Delaunay is a masochist, both by inclination and by training. She has the ability to heal quickly, which comes in handy for a masochist, although she also has bad luck. She begins the book as a courtesan in training at the Night Court which contains different houses, each appealing to a different taste. She eventually becomes a ward to Anafiel Delaunay who trains her in observation, making her a spy as well as a courtesan. “All knowledge is worth having” is his motto and Phèdre concurs. I loved that even after she is warned that there are some things she shouldn’t know, she intends to find out anyway. Continue reading →

Women of Futures Past starts with an introduction by Kristine Kathryn Rusch in which she gives us a fascinating behind the scenes look into the science fiction publishing industry. (She also introduces each story.) She tells us that many people assume women writing SciFi is a recent phenomenon even though women have been writing SciFi from the beginning. The reason people think women weren’t part of science fiction in earlier decades is because female writers are often left out of Best Of anthologies which effectively erases them from history. She says this is partly due to literary SciFi being favored over the type of SciFi women often write such as space opera. This anthology was created to shine a light on past and present female science fiction writers who haven’t gotten the attention they deserve. Continue reading →

“[…] like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both. But you have to open it to find that out.” Continue reading →

“Magic gets you what you want, but it doesn’t solve your problems.”

Signal to Noise by Silvia Moreno-Garcia starts out in 2009. Meche returns to a smoggy Mexico City to bury her father. She had sworn never to return here after she had a falling out with her friends years ago. Continue reading →