“To be in this world, you must always be a little less than yourself. With every day that passes, you must give up a little more.”
After the events described in Shakespeare’s The Tempest, a fifteen-year-old Miranda arrives in Milan, but people treat her like a monster. They force her to stay in her room and make her wear a veil whenever she leaves. She wonders if she looks like a monster, although she doesn’t think she does.
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Ugh. This book. Where to begin? First off, its run-on sentences, paragraphs that are pages long, and chapters in which nothing much happens make it a chore to read. There are over a hundred pages of endnotes, so you have to keep flipping to the end of the book while you’re reading. Annoyingly, many of the endnotes didn’t need to be endnotes. The shorter ones could have been parenthetical statements, and the long ones should have just been chapters in their own right. If this wasn’t bad enough, several of the endnotes have footnotes of their own.
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We start with a spaceship escaping from an evil AI. Our point of view characters on the ship are both children who don’t really know what happened, so the mystery of what the AI is and why it’s killing people can last longer. They end up landing on a planet with medieval-level technology. We then shift to the point of view of the aliens, who are truly alien.
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Just a quick announcement that I’ve got another story up at Every Day Fiction. This one is called “Cinders” and it’s a twisted take on the Cinderella story. Since it’s flash fiction, I don’t think I can say much more about it without spoiling it. One commenter called it “Clever! very enjoyable read.” Another commenter stated, “I must salute the total genre subversion.” Read it yourself and give it a good rating if you like it!
Also, the Kickstarter for an upcoming anthology I’m in has just launched. It’s titled Wasatch Witches: A Collection of Utah Horror. The inspiration for my story “Unfruitful Works” was basically “mimes are creepy” and I went from there. The story is about a woman with telekinetic powers and let’s just say she decides not to use her powers for good. There are many other stories from other writers as well, including some in which the witch is the hero. You’ll be wondering which witch is which! (Sorry, I can’t resist a good pun.)
Be sure to check out the rewards for backing the project. If you’re an Early Bird backer, you can get a couple of my eBooks, Pioneer Day and Sin Lieth at the Door, along with books from other authors included in the anthology. You can also get copies of earlier anthologies of Utah Horror, a rune reading, a tarot reading, and more!
This was originally published anonymously, so the author goes by the name of Linda. Her father was a carpenter. His master hired him out and allowed him to keep some of the money he earned. He saved up and wanted to buy his children’s freedom, but he wasn’t allowed to. Her maternal grandmother was freed at her master’s death, but she got captured and sold to another, so even if a slave master freed his slaves at death, that was no guarantee they’d stay free. Her grandmother, who made money selling crackers, also wanted to purchase the freedom of her children, but her mistress borrowed the money from her and never paid her back.
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Uncle Tom’s Cabin was the best-selling novel of the 19th century. Written in 1852, it energized the anti-slavery movement and contributed to the start of the Civil War. It was translated into all major languages and made a worldwide impact. Today, it’s better known for its stereotypical depictions of black people. (There’s also an off-hand anti-Semitic remark and Haitians are called effeminate.) So while it was undoubtedly progressive for its day, it doesn’t entirely hold up now.
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Come Join Us by the Fire has released Season 2 just in time for Halloween. It’s available for free on the Google Play Books app. There’s a bit less stories than the first season, but with 27 horror stories, there’s still hours of spooky entertainment. Since the first season contained a lot of flash fiction, and season 2 only has a couple five minutes pieces, they’re probably about the same length.
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When you first crack open The Three-Body Problem, there’s a list of characters at the front of the book, implying that it will be a difficult read and you’re going to need to refer back to the list in order to keep track of everybody. However, once I dived in, I discovered that the list of characters wasn’t necessary. We mainly shift between two point-of-view characters, so it isn’t difficult to keep track of who’s who. Also, some of the characters listed barely appear in the book at all, so I don’t know why the list is there at all. Continue reading
“I have often been awakened at the dawn of day by the most heart-rending shrieks of an own aunt of mine, whom he used to tie up to a joist, and whip upon her naked back till she was literally covered with blood. No words, no tears, no prayers, from his gory victim, seemed to move his iron heart from its bloody purpose. The louder she screamed, the harder he whipped; and where the blood ran fastest, there he whipped longest. He would whip her to make her scream, and whip her to make her hush; and not until overcome by fatigue, would he cease to swing the blood-clotted cowskin.” Continue reading
“With few exceptions, the Negro youth must work harder and must perform his tasks even better than a white youth in order to secure recognition.”
Booker T. Washington was born a slave. He never learned his father’s name, but heard reports that his father was a white man who lived on one of the near-by plantations. He grew up in a cabin that was so drafty, there were at least half a dozen places that could serve as cat-holes. The floor of the cabin was bare earth except for one hole used to store sweet potatoes covered with boards. It was very cold in the winter and heat from the open fireplace made it too hot in the summer. For a bed, the children slept on a bundle of filthy rags. Continue reading
Mania Delight 